Dir.: Mia Hansen-Løve; Cast: Felix de Givry, Arsinee Khanjian, Greta Gerwig; France 2014, 131 min.
At only 33 years old, Mia Hansen-Løve has already directed four features, a considerable achievement for a woman director in France. EDEN shares with her last two outings, a central character who does not know when to give up. In Father of my Children (2009), the producer Gregoire Canvel (based on the real life figure of the independent producer Humbert Balsan) can’t stop producing, even though his debts are astronomical – desperate, he commits suicide in the streets of Paris. Camille, the heroine in Goodbye first Love (2011) can’t get over her first love, and spends years in the doldrums, before accepting the loss. Both films could do with some shorter running time, but they are aesthetically so mature, whilst genre- wise so different, that one has to marvels at this filmmaker’s skill.
EDEN, true to its name, is set in the world of French Garage music, chronicling the years from the late eighties to the present. Its anti-hero, the DJ Paul (de Givry), inhales mountains of coke and goes through many broken relationships whilst living in the “fast lane”: a superficial and consumerist existence. Having given up his literature studies, his debts accumulate and his mother (Khanjian) has to continually bail him out. His girlfriends usually don’t stay around long; empathy is not his strength. On his travels to New York, he meets up with Julia (Gerwig), who had left him in Paris. Having been dumped again, he rekindles the relationship, even though Julia has two little girls. When Paul’s best friend, the cartoonist Cyril, commits suicide, throwing himself under a metro train, Paul, now in his mid thirties, says goodbye to his former life style, and returns to his first love, literature. When a young woman on his course, asks him about his past, he lets on about his involvement in Garage music – to his utter astonishment, she has never heard of this music genre…..
Paul, like many men in his circle, is semi-autistic. Narcissistic, egocentric and spoilt by his mother, he accumulates debts from a coke habit that ruins his bank balance and his health. Self-pity is just another character trait he wears on his sleeve. His love for Julia only functions in retrospective yearning. When he meets her again, she has to abort their child, because Paul is totally broke. Hansen-Løve’s style is remarkable: even those who know next to nothing about this particular music scene in France will find this edifying and informative, not only from a musical angle, but also from the atmosphere engendered, and the admirable characterisations. Hansen-Løve astonishes with her maturity and sheer brilliance, worthy of any veteran., Her talent and spontaneity oozes out of every frame. The ensemble acting is brilliant, the camera catches every moment in time, working in elliptic movements, showing the musicians in intimate close-ups and illuminating the Paris skyline in glorious panoramic shots, that never degenerate into picture-postcard blandness. A spellbinding tour-de-force of music and emotion. AS
NOW ON DVD RELEASE from 14 December 2015