When Lambs become Lions (2018) | ****

February 12th, 2020
Author: Meredith Taylor

Dir: Jon Kasbe | Doc | US

When you fight to survive in the vast arid plains of East Africa life is tough. In his deeply affecting feature debut, award-winning filmmaker Jon Kasbe (Heartbeats Of Fiji) explores whether human life in Northern Kenya is more valuable than that of endangered species. The subject of poaching is certainly an emotive issue that strongly divides the nation’s inhabitants, many of whom are deeply opposed to the illegal practice on moral grounds. But the lucrative trade goes on.

This is the latest in a series of conservation-themed features that started with Blackfish, The Cove and last year’s Trophy. Stunningly captured on the widescreen and in intimate close-up the film contrasts Kenya’s natural beauty with the less palatable aspects of animal slaughter, that takes place not for food but for trophy hunting. And the animals do not die a quick death but a long, drawn out and painful one due to being inexpertly shot or poisoned with venomous arrows. The film’s atmospheric score adds gravitas to the melancholic episodes where Asan silently contemplates his doubtful future. And these sequences contrast with the high-octane nighttime forays into the bush to locate victims and escape the rangers’ onslaught.

Kasbe’s non-judgemental thriller unspools with a growing dramatic tension as it moves stealthily between the lives of two men: an unlikeable ivory trader (X), and his ranger nemesis Asan, who is also his cousin. The glassy-eyed macho X boasts of making a successful black market business selling ivory. As he swaggers around chain-smoking defiantly and invoking ‘Allah’, he claims not to do the killing himself. Hot on his tracks is Asan and his fellow government employed rangers who are heavily armed with rifles and threaten the poachers with their zero tolerance approach. But rangers have little to gain financially from their work, although many feel sadness for the elephants’ plight. Heavily armed with automatic rifles they also have an axe to grind against the government claiming they have not been paid two months’ wages due to an administrative error. Meanwhile, the poachers make a lucrative living. X’s sidekick Lukas posits the powerful adage “if we do not hunt we will be hunted”. The pressure to earn a pittance is also putting a strain on Asan’s marriage and growing family, and he fears he may have to go back to the petty crime of his youth. 

Although poaching is a blot on the landscape, so is the plight of the people who inhabit this impoverished region. President Uhuru Kenyatta confiscates and burns all illegal ivory stashes claiming – on a television programme – that “ivory is worthless unless it is on our elephants”. Meanwhile X and Lukas watch silently desperately wishing they could lay their hands on the truckloads of bounty destined to be destroyed by the government’s crackdown. MT

NOW ON GENERAL RELEASE

Copyright © 2024 Filmuforia